maladroit wrote:Well, as far as I can see...there is no place for a driver on that thing (unless it always traveled in reverse). If it wasn't an art car, maybe it was classified as some other kind of art installation, and the tow vehicle got an art support pass from the Artery?
I have been told the driver sits in a cockpit surrounded by LED screens and no actual windshield. That's the only rumor about the duck I'm interested in.
My camp runs a converted 71 passenger, 45'+ long former school bus as an art car. We have a driver and a minimum of three spotters working at all times when it's on a sail, plus usually a bartender and camp members unofficially working. We're full the minute we leave camp because our neighbours usually figure the schedule out early in the week: when the generator starts and the lights go on we're going to leave in the next twenty or so minutes. That way when we fire everything up people from all over the neighborhood come and hop on to catch a ride into the city, come party with us, etc. When we're full we'll have the rear spotters close the bus.
We're not being exclusionary when it's closed, we're just too full to be sure everyone is safe, much less left with enough space to move. In the meantime we'll have people climbing all over our sound equipment, hanging over the edge, trying to climb the ladder to the DJ booth while the bus is moving, etc., I mean crazy stuff. We had a guy (who I had talked to a couple times already for being out of control) climb our center mast this year. I've never seen anything like it. Shit gets crazy out there, and it's easy to dislike something without practical experience but a lot of time the actual operation of an art car involves a tenuous relationship with all the randoms who don't care about the work put in (derp, was all this soldering hard?), the safety implications of a 30,000 pound vehicle or it's forty riders, and so on. That part can get really insane.