princess strych-9 wrote:zona owns a plane , too.
Mine's bigger.
III wrote:>have you *read* the four point plan? it's all about maintaining control over the bm community, and not letting it develop on its own.
i think where you see slavish devotion to larry, there are really people who think the theme is a silly place to fight the autonomy fight.
sorry to Tom you on this one, but your conclusion does not follow your premise. I care enough about the event to put up a fight about not letting a bunch of senior prom planners run the theme angle. Art by democracy/comittee/vote/whatever:crappy art. I got 3 words for ya: back street boys.So maybe 10% of the community would care enough to vote-- all that would mean is that the general burner doesn't have enough concern for the general direction of the community to add their voice.
IMO that wouldn't accomplish anything positive. At least, not any more than the death of Walt Disney did for the creative output of Disney Studios. An autocrat at the head of an artistic organization might rely upon input from his staff, but in the end it should be one person's decision if the product is to be original and good. (And that person should not be an MBA--but the intrinsic value of professional managers is a separate rant.)x why z wrote:I was thinking of it more as the first in a series of small but progressive increments. First place the theme in the hands of the community, then something a bit more foundational, like maybe art funding, and next...
Again, it is not "art by...", it is "selection by..."stuart scanlon wrote: Art by democracy/comittee/vote/whatever:crappy art. I got 3 words for ya: back street boys.
I am not an org worshipper, but I think it a safe bet that if the running of the event gets more 'democratic' we are going to be in a lot of trouble. Strict majoritarian rule does not yield pretty results.
Holy cats! I think I just lost a kilo laughing here!stuart scanlon wrote:sorry to Tom you on this one, but your conclusion does not follow your premise. I care enough about the event to put up a fight about not letting a bunch of senior prom planners run the theme angle.
PJ wrote:Why, exactly?x why z wrote:disney co. is a profit-driven organization, and that is a much greater threat to creativity than any group vote could ever be.
Burning Man is not a non-profit entity.x why z wrote:As long as BM's premises remain intact, it should be able to steer clear of that fate.
It might also mean that 90% of the burners don't have all day to dink around on the eplaya. I think you should go for it and see what happens.x why z wrote:So maybe 10% of the community would care enough to vote-- all that would mean is that the general burner doesn't have enough concern for the general direction of the community to add their voice.
what you said.Iago wrote:FUCK THE THEME - How about some reserved camping spots and I would really like to have one of those faucets sticking out of the ground right in front of my camp too. I think those whinie DPW Fucks ought to be able to supply running water. Like they already got the streets layed out to see where to bury the water lines. Man, when is Larry gonna get with the program!!!
maybe he can get my ass to help.Stormy wrote:The general gist, "Committees suck."
Yeah, let's do away with all of those god damn committees. Let's abolish the Senate, the House, and the Supreme Court. Things would be much better if Bush ran this country on his own.
LMAOprincess strych-9 wrote:maybe he can get my ass to help.Stormy wrote:The general gist, "Committees suck."
Yeah, let's do away with all of those god damn committees. Let's abolish the Senate, the House, and the Supreme Court. Things would be much better if Bush ran this country on his own.
committees don't suck; poopy dipes suck.
If your attention is focused on the central structure, what are you missing? The city is intentionally constructed with a minimal central structure, leaving enormous opportunity for the kind of democracy that matters: people getting up on the hind legs and doing stuff that excites them. The central structure is dictating not very much at all to you.it's about openning up the central structure of the event
Sort of. You can participate all you want but at the end of the day Larry is still the (benevolent) dictator that owns the event. Should Larry take exception to any committee's decision (whether it's in regards to art, infrastructure, finance, whatever) he'll simply say, "We're not going to do that."Chimp wrote:Why does everyone think Larry would be so opposed to this idea - its all about participation right?
If you had asked me last year, I wouldn't have thought he'd be opposed. Either I didn't know as much or he's altered his ideas or both. From reading what i have of his statements, especially recently, it doesn't seem like he'd be into it. You never know, though.Why does everyone think Larry would be so opposed to this idea - its all about participation right?
walt was pretty profit driven. If you listen to him from early on, before steamboat willie, he wanted the cash. This did not prevent him from coming up with some pretty creative shit that still holds up today. Now we got an MBA who is beholden to the largest committee, the shareholders. Shall we compare, say, hunchback to snow white?except that disney co. is a profit-driven organization, and that is a much greater threat to creativity than any group vote could ever be.
Not really. What you have is a personality cult. Thanks to recent events the worship of celebrity CEOs is mostly a bygone fad, but Disney's board of directors won't be cutting Mike's pay anytime soon. They're in his pockets even though the stock price is down because he still has people convinced that there's nobody on the planet that could walk in his shoes.stuart scanlon wrote:...disney co. ...Now we got an MBA who is beholden to the largest committee, the shareholders.
Sometimes it's a necessary if regrettable aspect to the art form. No modern movie could possibly represent the vision of a single artist. Nobody has time to master everything about photography, acting, cinematography, editing, production scheduling, location research... Many artists bitch about studio control of the process but how many wannabe movie makers have enough cash to produce their own film? Take money, give up control--that's the way the real world works. And besides, those hundred other talented people are going to want their artistry to show through in the final product too.TestesInSac wrote:...Artistic compromise, for say, the sake of others sensibilities, is just another name for censorship.
Absolutely true. Then again, finding ways to allow everyone optimum artistic expression in a complicated project can, in itself, be an artform.PJ wrote:Sometimes it's a necessary if regrettable aspect to the art form. No modern movie could possibly represent the vision of a single artist. Nobody has time to master everything about photography, acting, cinematography, editing, production scheduling, location research... Many artists bitch about studio control of the process but how many wannabe movie makers have enough cash to produce their own film? Take money, give up control--that's the way the real world works. And besides, those hundred other talented people are going to want their artistry to show through in the final product too.TestesInSac wrote:...Artistic compromise, for say, the sake of others sensibilities, is just another name for censorship.