I find AFFG's point of view interesting, but I almost totally disagree with it.aforceforgood wrote:Saying that an image doesn't make someone desire that image reveals a complete denial of what all advertising is based on. So I won't even argue the point, because if someone is going to try and make that argument, they are divorced from reality, and it's unlikely my words over the internet will bring them back to it.
Broadcasting images that WILL engender a response from certain people is IMO irresponsible. YMMV.
Another stronger example to make my point; when KTLA was reporting on the Elizabeth Smart kidnapping and showed her frolicking in the water at the beach wearing a bathing suit, I felt that was similarly irresponsible and had even less to do with the story. I'm sure those images resonated with some pedophiles, and I hope they didn't inspire any kidnappings. Odds are they didn't, (hopefully) but that doesn't change the fact that it had nothing to do with the story, (it was a video of her at about age 7. So you could say it might help to identify her if someone saw her, but that's a stretch when there were plenty of more current photos of her.) and was therefore (I feel) reckless and irresponsible. This is a clearer example of what I mean when I say that tv shouldn't broadcast images of the fires.
To see is to desire, if the image is something you're wired to desire. That's how the human brain works.
First, showing us an image does not create desire. 'Sexing' the image up and <u>creating desire for it</u> is what the advertising industry is all about. If it were as simple as showing a product, any idiot could do it. Packaging, presentation and context are what make images compelling in an advertising sense.
Your Elizabeth Smart example is also way off base. Let's start from the point where the family, presumably with advice from the LEO community, released that tape to the media. The media does not have the right to just steal images of people and broadcast them. Why would a family and the police/FBI knowingly stimulate legions of pedophiles by pumping pedo-activation fodder into the broadcast channels?
I am no expert, but I believe there are three main reasons that film and the other images of Elizabeth Smart were released.
1) To help witnesses ID the girl should she be seen. Static images of unknown people do less to foster recognition than a film of the subject does. The fact that she was 7 instead of 14 could simply reflect a lack of available film footage.
2) To make sure that the attention span of the media and the public remains focused on the missing girl. Without constant stimulus, the public eye moves elsewhere. There are interesting missing persons case studies which show that nearly identical crimes may become 'high-profile' or receive zero media attention. The crimes that become 'high-profile' receive more police attention and have a better chance of being solved.
3) Showing video and still images of the missing person 'humanizes' them to both the public and the perpetrator of the crime. It is a rare person that can kill another one without first psychologically distancing themselves from them, -usually by mentally stripping them of their humanity. War propaganda frequently portrays the enemy as monsters, animals or faceless thugs/huns/barbarians with the knowledge that this makes it easier for 'our boys' to blow holes in their bodies. Similarly, murderers often disconnect from their victims, by not allowing them to say their names or have a human identity. Showing Elizabeth Smart at play makes her a little girl having fun instead of an object that can be manipulated and used without remorse.
You make a *ton* of assumptions in your post, and this is the only one I partially agree with:
It is well known that responses, good and bad, can be elicited through imagery. Therefore the media must be responsible for the images they choose to broadcast. I am not sure that showing a burning home is a responsible thing to show, but I am not sure it is IRresponsible either.Broadcasting images that WILL engender a response from certain people is IMO irresponsible.
You say:
Can we not show images of famine because it might elicit charitable response? Or is it only 'bad' responses that must be avoided? Who determines what is 'bad'? Who sits on this censorship panel? --Animal Farm indeed.Broadcasting images that WILL engender a response from certain people is IMO irresponsible.
It seems possible that other firebugs might be inspired by such images, but I am not willing to make that assumption. It also seems possible that showing those images will increase the immediacy of the situation for people viewing the fires via the broadcast media, and will spread the feeling of catastrophe beyond the communities directly affected. This can have all sorts of beneficial effects such as charitable donation and Federal aid. I guess the question is, are there more arsonists or decent, concerned people watching those images?
Finally, (and philosophically):
Is it? Or does our desire create the image? If I look at a burning house and think "Those poor people! How can I help?" yet some firebug sees the same thing and thinks "Fire! FIRE! FIRE! FIRE!" -how can this be true? Your statement is self-contradictory vis a vis 'wiring' versus 'seeing.'To see is to desire, if the image is something you're wired to desire. That's how the human brain works.
The image is in the mind, not on the TV or in the photo.
(sorry for the great length)
