Donna Matrix's Bible Trivia Question O' the Day !!!
- Donna Matrix
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- oneeyeddick
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- Donna Matrix
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as in the form that the form shared still produces forms of augables
even soo far as to slip the idea of basing determinations on them
an experiment (Latin: ex- periri, "to try out")
controlled - that confounding variables are eliminated
In the design of experiments and data analysis, control variables are
those variables that are not changed throughout the trials in an
experiment because the experimenter is not interested in the effect of
that variable being changed for that particular experiment. In other
words, control variables are extraneous factors, possibly affecting the
experiment, that are kept constant so as to minimize their effects on the
outcome.
is there any objection besides it being beyond the bounds of normal reason?
even soo far as to slip the idea of basing determinations on them
an experiment (Latin: ex- periri, "to try out")
controlled - that confounding variables are eliminated
In the design of experiments and data analysis, control variables are
those variables that are not changed throughout the trials in an
experiment because the experimenter is not interested in the effect of
that variable being changed for that particular experiment. In other
words, control variables are extraneous factors, possibly affecting the
experiment, that are kept constant so as to minimize their effects on the
outcome.
is there any objection besides it being beyond the bounds of normal reason?
instantiate vacuous truth
- Donna Matrix
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- Simon of the Playa
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- the fire elf
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- the fire elf
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- the fire elf
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- Donna Matrix
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Ah........ the venom is back................Simon of the Playa wrote:Donna, i hope you are joking.
if you are'nt, i have pity for your soul.
there must be a special place in hell for stupid cunts, maybe you'll hook up with sarah palin and anita bryant when you get there.
tell them i said "Hi".
Now, that's what I come here for. Good job!
[img]http://img228.imageshack.us/img228/3500/fogobarramenorbz2.gif[/img]
- Donna Matrix
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- Donna Matrix
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Actually I do. I like people being and acting as they really are. After all this is a post site.... all you can do is post words. I am not afraid of words. And I am not afraid of what you might say.Simon of the Playa wrote:i was actually being nice.....you dont want to really see my venom.
it'll blind you faster than beating off.
Again, after all you don't even know me. We have never met. All you know of me is what I have posted here. And that's only a small, small piece of who I am.
I do know, however, that when people personally attack another they are the ones afraid. So, bark all you want.
[img]http://img228.imageshack.us/img228/3500/fogobarramenorbz2.gif[/img]
- Simon of the Playa
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and did you know the neanderthals had smile muscles?
i'd bet they even used them
The classical Greek and Roman tragedy was largely forgotten in Western
Europe from the Middle Ages to the beginning of 16th century, and public
theater in this period was dominated by mystery plays, morality plays,
farces and miracle plays, etc.
Bourgeois Tragedy (German: Bürgerliches Trauerspiel) is a form of
tragedy that developed in 18th century Europe. It was a fruit of the
enlightenment and the emergence of the bourgeois class and its ideals. It
is characterized by the fact that its protagonists are ordinary citizens.
In modernist literature, the definition of tragedy has become less precise.
The most fundamental change has been the rejection of Aristotle's dictum
that true tragedy can only depict those with power and high status.
According to Aristotle, "the structure of the best tragedy should be not
simple but complex and one that represents incidents arousing fear and
pity--for that is peculiar to this form of art."
fear and pity per ponk.

i'd bet they even used them
The classical Greek and Roman tragedy was largely forgotten in Western
Europe from the Middle Ages to the beginning of 16th century, and public
theater in this period was dominated by mystery plays, morality plays,
farces and miracle plays, etc.
Bourgeois Tragedy (German: Bürgerliches Trauerspiel) is a form of
tragedy that developed in 18th century Europe. It was a fruit of the
enlightenment and the emergence of the bourgeois class and its ideals. It
is characterized by the fact that its protagonists are ordinary citizens.
In modernist literature, the definition of tragedy has become less precise.
The most fundamental change has been the rejection of Aristotle's dictum
that true tragedy can only depict those with power and high status.
According to Aristotle, "the structure of the best tragedy should be not
simple but complex and one that represents incidents arousing fear and
pity--for that is peculiar to this form of art."
fear and pity per ponk.

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- Elderberry
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Every time I click on this thread I sort of feel like Alice having just fallen down the rabbit hole.
(Not that there is anything wrong with that.)
JK
(Not that there is anything wrong with that.)
JK
Elderberry
When I was a kid I used to pray every night for a new bicycle.
Then I realized that the Lord doesn't work that way so I stole one and asked Him to forgive me
When I was a kid I used to pray every night for a new bicycle.
Then I realized that the Lord doesn't work that way so I stole one and asked Him to forgive me
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